Terracotta gathers works that share the particular warmth of fired earth: a palette that has been sun-baked, passed through fire and is still warm to the touch.

Stillleben (Stilllife), Aloys Wach (1923).

This composition plays with expressionist geometry and warm tones, showcasing the unique structural style of the Austrian avant-garde artist. The original masterpiece is held at the Lentos Kunstmuseum, Linz.

Icones rerum naturalium Pl.50 by Peder Ascanius (1805–1806).

This precise and vibrant scientific illustration captures the raw, organic beauty of marine life with exceptional hand-coloured details. The historical volume is preserved at the Royal Danish Library, Copenhagen.

Abstract Pattern Portfolio Pl.07 by Mizuki Heitaro (1930).

Geometry breaks into rust and sand. A striking balance of modern abstract forms and traditional Japanese aesthetics, capturing the bold design revolution of the early Shōwa era. This archival plate is held at the National Diet Library, Tokyo.

Diane Courant (Diana Running), Pierre Roche (1915).

A fluid and poetic representation of movement and texture featuring the ancient roman goddess of the hunt and nature. A possible sketch to be used by the sculptor, the drawing is deeply tied to the Art Nouveau spirit. The historic piece is part of the collections at the Musée des Arts Décratifs, Paris.

Format & Paper: Each print is produced as a museum-quality Giclée print on Hahnemühle German Etching, a warm, textured cotton paper that honours the depth and tonal richness of each work.

Size: Aloys Wach — Stillleben · 80 × 60 cm · Peder Ascanius — Icones rerum naturalium Pl.50 · 21 × 29,7 cm · Mizuki Heitaro — Abstract Pattern Portfolio Pl.07 · 29,7 × 42 cm · Pierre Roche — Diane Courant· 40 × 60 cm